Description

Ajarn Tom | BE 2569 | Size: 8 x 6 cm

A Panneng Phra Lak Na Thong created for saneh, metta, favour and wealth attraction — with large chunks of gradook phi, Maha Prai gathered over years, two Pla Tapian wealth fish, and material taken from cremation-chamber doors in Udon Thani sealed directly behind its golden face.

From the front, it carries the familiar image of Phra Lak Na Thong.

Turn it over, however, and everything changes.

Phra Lak Na Thong – The Golden Face of Attraction

Phra Lak Na Thong has long been associated with maha saneh, metta mahaniyom, attraction, favour and personal presence. Its wicca centres heavily around the face, helping the owner become more noticeable, memorable and pleasing in the eyes of those they meet.

Therefore, its direction extends far beyond romantic attraction.

For business owners, sellers and people involved in negotiation, favour can become opportunity. When others remember you, trust you or naturally respond more positively, conversations become easier and doors become easier to open.

Ajarn Tom kept that familiar direction.

However, what he placed behind it is completely different.

A Golden Face Formed From Panneng

The Panneng is not hidden somewhere inside the amulet as a secondary ingredient.

Instead, it forms the face itself.

Ajarn Tom shaped the Panneng into the face of Phra Lak Na Thong before giving its surface the distinctive golden appearance associated with this form of wicca.

As a result, this creates an unusual contrast.

The face represents beauty, attraction, favour and charm. Yet the foundation of that same face comes from one of the darker materials used within Prai wicca.

Therefore, this is where Ajarn Tom’s interpretation begins to separate itself from ordinary Phra Lak Na Thong.

Turn It Over

The reverse makes no attempt to hide what lies behind the golden face.

Several large chunks of gradook phi — bone from the dead — remain clearly visible inside the casing.

Rather than grinding everything into powder until the original material disappeared, Ajarn Tom left the gradook in large, visible pieces. As a result, the bone occupies a substantial part of the reverse and can be seen immediately through the casing.

Behind something created to attract the living sits the physical remains of the dead.

And the gradook is only part of it.

Maha Prai Gathered Over Years

Ajarn Tom also incorporated Maha Prai materials accumulated over many years from different cemetery sources.

Among them were materials connected to cemeteries associated with those who no longer had families or descendants remaining to care for them after death.

Within darker Thai spirit belief, these materials carry a very different character. A spirit surrounded by descendants, offerings and regular remembrance stands in a completely different position from one that has been forgotten or left without anyone remaining to care for it.

For that reason, the sense of abandonment and unresolved attachment gives such Prai materials their particular reputation.

In addition, Ajarn Tom included materials associated with Phi Tai Hong — spirits connected to sudden, violent or unnatural deaths.

Such deaths are traditionally regarded as carrying particularly strong unresolved force. Attachment may be cut short without warning. Anger can remain unsettled. Desires may never reach completion. In some cases, resentment or vengeance may remain deeply attached to the spirit.

These were the types of Prai materials Ajarn Tom chose to place behind Phra Lak Na Thong.

The saneh remains the direction.

Meanwhile, the Prai gives it weight.

Material From an 80-Year Cremation Chamber

At the centre of the reverse sits a small sealed bottle containing fine material taken from the iron doors of an old cremation chamber in Udon Thani.

According to the provenance of the material, the chamber had remained active for more than 80 years, with over 1,000 deceased said to have passed through it during that period.

Many reportedly had no family remaining to claim or care for them. Others included those connected to Phi Tai Hong and sudden or unresolved deaths.

For decade after decade, the same iron doors remained part of the chamber as body after body entered for cremation.

Later, material from those doors entered directly into this Panneng Phra Lak Na Thong.

Its importance does not come merely from the metal itself.

Instead, it comes from where that metal had remained, what had repeatedly passed through those doors, and how long it had stood inside that environment.

Therefore, that history cannot simply be recreated by taking a new piece of iron and blessing it.

The Dead Behind the Golden Face

Taken individually, each material already has its own direction.

Together, however, they reveal how Ajarn Tom constructed the piece.

Phra Lak Na Thong gives the wicca its primary purpose: saneh, metta, favour and attraction.

Meanwhile, the Panneng becomes the face itself.

The gradook phi and Maha Prai place heavier Prai force directly behind that face.

In addition, materials associated with Phi Tai Hong add another layer of unresolved spiritual weight.

Then, at the centre, the cremation-door material carries a physical history built through more than eight decades of repeated cremations.

Therefore, Ajarn Tom did not replace the traditional effect of Phra Lak Na Thong.

Instead, he built something much darker behind it.

Two Pla Tapian – Wealth Behind the Saneh

Among the Prai materials are two Pla Tapian, the traditional Thai wealth fish associated with fortune, customers, successful trade and wealth attraction.

Their inclusion also shows that Ajarn Tom did not create this piece solely for romantic or sexual saneh.

After all, attraction matters anywhere people determine the outcome.

A customer deciding whether to buy. Someone deciding whether to trust you. A negotiation that can move in either direction. A contact who may lead to the next opportunity.

When people notice the owner, remember them and respond favourably, the same saneh can become extremely valuable in business.

Therefore, the Pla Tapian pushes that direction toward customers, trade, opportunity and wealth attraction.

Saneh draws people closer.

Meanwhile, the wealth wicca gives that attraction somewhere to go.

What Makes This Different

There are countless Phra Lak Na Thong pieces in Thailand.

Most follow the familiar direction of metta, attraction, charm and favour.

Ajarn Tom’s BE 2569 creation stands apart, however, because he changed the physical foundation behind those effects.

The face itself is Panneng.

Behind it sit large visible chunks of gradook phi.

Moreover, Maha Prai gathered over years adds another layer, including materials associated with abandoned spirits and Phi Tai Hong.

Two Pla Tapian strengthen wealth, customers and trade.

Finally, at the centre sits material taken from cremation-chamber doors that had reportedly stood through more than 80 years and over 1,000 cremations.

From the front, it is the golden face of attraction.

From behind, however, there is no mistaking what gives that face its darker foundation.

𝗘𝗳𝗳𝗲𝗰𝘁𝘀 – –

Based on ancient & traditional beliefs, this is said to:

• Strong maha saneh and personal attraction
• Increase metta, favour and charm
• Make the owner more noticeable and memorable
• Strengthen persuasion and negotiation
• Attract customers and improve trading luck
• Increase wealth attraction and opportunities
• Strengthen saneh and wealth intentions through Prai wicca

The Panneng Phra Lak Na Thong by Ajarn Tom, BE 2569 takes one of the most recognisable forms of Thai attraction wicca and gives it a foundation that few Phra Lak Na Thong pieces can match.

Look at the front and you see gold, saneh and attraction.

Turn it over, however, and you see what Ajarn Tom placed behind that face: gradook phi, Maha Prai, Phi Tai Hong materials, Pla Tapian and material taken from doors that had stood through more than 80 years of cremations.

The face attracts the living. The dead stand behind it.

🔱𝑺𝒉𝒐𝒈𝒖𝒏𝑿 𝑨𝒎𝒖𝒍𝒆𝒕𝒔
𝑾𝒉𝒆𝒓𝒆 𝒚𝒐𝒖𝒓 𝒔𝒑𝒊𝒓𝒊𝒕𝒖𝒂𝒍 𝒋𝒐𝒖𝒓𝒏𝒆𝒚 𝒃𝒆𝒈𝒊𝒏𝒔
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