Mini Khun Paen Panneng

Small in form, vast in force.

A rare, unusually small panneng by Ajarn Tom, etched in the classic Khun Paen style, yet packed with potent prai materialsโ€”fresh from a vengeful spirit of the Myawaddy bombing, reinforced with Pong Prai, prai wax, a kuman tooth, and Ai Kai rian, all layered over a raw, emotionally charged bed of murn sarn. Tiny in form but devastating in force, this piece channels rage, sorrow, and obsession into raw, explosive power after consecration.

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Description

Khun Paen Panneng
Aj Tom
BE 2567
Limited pieces made
Size: 6.5 x 4 cm

๐—˜๐—ณ๐—ณ๐—ฒ๐—ฐ๐˜๐˜€ – –
Based on ancient & traditional beliefs, this is said to:
-Saneh (Charm & attraction)
-Metta (Loving Kindness & compassion from others)
-Pong (Magnetic charismatic power, making one more persuasive, respected, and influential)
-Klaew Klaad (Avoiding danger)
-Maha Amnaj (Great authority & power) -Pongkan (Protection from Spirits, evil magic, danger, backstabbers, bad luck etc)
-Chok Lap (Fortune & Luck)
-Kaa Kaai (Boost business, sales, trade)
-Sieng Chok (Gambling luck)
-Perd Samphat Tee Hok (Sixth sense, enhances spiritual sensitivity and intuition.)

๐——๐—ฒ๐˜๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฑ๐—ฒ๐˜€๐—ฐ๐—ฟ๐—ถ๐—ฝ๐˜๐—ถ๐—ผ๐—ป – –
A panneng, etch with the classic style of Khun Paen, this is a unusually small size piece as far as Ajarn Tom goes, but despite it’s tiny size, it is still jammed pack with a bunch of materials.

Starting with a piece of fresh panneng, which is said to have came from a unfortunately spirit in one of the bombings in Myawaddy, Myanmar, last year. Spirits like these holds ๐—บ๐˜‚๐—ฐ๐—ต ๐—บ๐—ผ๐—ฟ๐—ฒ ๐˜ƒ๐—ฒ๐—ป๐—ด๐—ฒ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—ป๐—ด๐—ฒ๐—ฟ, ๐˜„๐—ต๐—ถ๐—ฐ๐—ต ๐˜๐—ฟ๐—ฎ๐—ป๐˜€๐—น๐—ฎ๐˜๐—ฒ๐˜€ ๐˜๐—ผ ๐—ฝ๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ฎ๐—ณ๐˜๐—ฒ๐—ฟ ๐—ฝ๐—ฟ๐—ผ๐—ฝ๐—ฒ๐—ฟ ๐—ฐ๐—ผ๐—ป๐˜€๐—ฒ๐—ฐ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป.

โš ๏ธAjarn Tom explains that because of how the spirit had passed, this spirit has a very ๐ฌ๐ญ๐ซ๐จ๐ง๐  “๐จ๐›๐ฌ๐ž๐ฌ๐ฌ๐ข๐จ๐ง” ๐ฐ๐ข๐ญ๐ก ๐š๐ฏ๐จ๐ข๐๐ข๐ง๐  ๐š๐ง๐ ๐ž๐ฏ๐š๐๐ข๐ง๐  & ๐ž๐ฌ๐œ๐š๐ฉ๐ข๐ง๐ , ๐ซ๐ž๐ ๐š๐ซ๐๐ฅ๐ž๐ฌ๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ง๐š๐ญ๐ฎ๐ซ๐ž ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ฌ๐ข๐ญ๐ฎ๐š๐ญ๐ข๐จ๐ง, ๐›๐ž ๐ข๐ญ ๐ฅ๐ž๐ ๐š๐ฅ ๐จ๐ซ ๐ข๐ฅ๐ฅ๐ž๐ ๐š๐ฅ, ๐ฆ๐จ๐ซ๐š๐ฅ๐ฅ๐ฒ ๐œ๐จ๐ซ๐ซ๐ž๐œ๐ญ ๐จ๐ซ ๐ฐ๐ซ๐จ๐ง๐ .

On the back, are two bottles, one of a Pong prai, another of a prai wax, both of which contains a mixture of mae prai, and kuman, who went in the same unfortunately manner. A piece of tiny tooth, from a unfortunately kuman sits on the top, a simple, yet rare material as far as child spirit goes.

Lastly, a rian of Ai Kai sits in the center above the bed of murn sarn, which includes a mixture of soil from the bombing areas, cemetery soil, and more prai materials, which were all blend and combined together.

While probably unintentional, the uneveness and roughness of the murn sarn perfectly express the feeling of the spirits, lost, sad, angry, but with a vengeance.

These spirits, after the chanting and blessing of Ajarn, helps to turn the vengeful energy, into strength and power, making this like a grenade. ๐—ง๐—ถ๐—ป๐˜† ๐—ถ๐—ป ๐˜€๐—ถ๐˜‡๐—ฒ, ๐—ฏ๐˜‚๐˜ ๐—ฝ๐—ฎ๐—ฐ๐—ธ๐˜€ ๐—ฎ ๐—ฝ๐˜‚๐—ป๐—ฐ๐—ต ๐˜„๐—ต๐—ฒ๐—ป ๐˜‚๐˜€๐—ฒ.
๐‘บ๐’‰๐’๐’ˆ๐’–๐’๐‘ฟ ๐‘จ๐’Ž๐’–๐’๐’†๐’•๐’”
๐‘พ๐’‰๐’†๐’“๐’† ๐’š๐’๐’–๐’“ ๐’”๐’‘๐’Š๐’“๐’Š๐’•๐’–๐’‚๐’ ๐’‹๐’๐’–๐’“๐’๐’†๐’š ๐’ƒ๐’†๐’ˆ๐’Š๐’๐’”

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